Technical Cinematography

Production Blog

TREATMENT

CHOSEN BRIEF: Film Marketing

A cross – media production to market and promote a new film in a genre (or a sub-genre / hybrid) of choice.

TASK 1: Print

Create a DVD or Blu-ray front and back cover and two posters for theatrical release in different countries to promote new film.

The Genre: Sci- Fi / Thriller

The front cover of DVD would consist of two characters, one male and one female.

The background of DVD cover would preferably be a black, grey or dark blue, to depict an element of mystery and adventure.

The title would be put in bold red, to create apprehension amongst an audience, whilst also fitting in with the theme.

The main image would be positioned within the centre of the front cover, to draw the audience’s attention towards the centre of the DVD.

The rating for the film, would preferably be 18, to fit into the theme of sci-fi/thriller.

The colours being used in the DVD front cover, would be red, black and white, with the actors/ actresses’ names being placed at the bottom of the DVD, whilst the title, is placed below the main image.

The tagline would be placed in a red font, whilst being positioned at the top of the DVD cover.

BACK COVER OF DVD:

One small paragraph explaining the main plot of the film.

There would be three images, consisting the location in which the film is set, the characters featured and a building.

The colour pallet for the back would be black, and white, whilst the writing would be in a red font.

Age rating, director and actors etc, would also be shown at the bottom of the DVD cover.

TWO POSTERS FOR THEATRICAL RELEASE IN DIFFERENT COUNTRIES TO PROMOTE NEW FILM

The first poster would consist of a female character, whilst the second poster would consist of a male character.

There would be intertextual references, between the two posters, with costume, tag line and font style, being the same for both posters.

The same tag lines, colours and background would be used for both two posters. The background being a dark black, with greyish undertones, to depict a sense of secrecy.

The first poster would potentially be marketed for the release in the UK, whilst the second would be released for the USA.

The posters would feature an age rating of 18+, in order to target the global adult audience of 25-44 year – olds.

The font colours used in both posters, would be the same, a dark red, whilst the location in which the characters are presented, would also be the same; an unknown building.

For the first poster, there would be reference to how the female character, resonates with the male character, in the form a short quote, whilst the second poster, would feature the males perspective, with a short quote in how he is linked with the female character.

TASK 2:

AUDIO VISUAL

A sequence from a new mainstream radio – to promote the film to its target audience.

This would be presented in a short 2 minute and 30 second interview, in a radio form.

There would be a female presenter, asking a male about the film – in terms of narrative, plot etc.

This mainstream radio- would be accessible on platforms – e.g. twitter …

The target audience for this, would be between 24 – 44 year olds, due to the nature of the topic/ narrative of the film, which makes it accessible to all.

Component 3

FILM POSTERS

An independent film company is a company that operates outside of the main film companies.

There are two types of film posters, which occur in the film industry.

One of them being a TEASER POSTER and the other a THEATRICAL POSTER. There is a stark difference between the two:

TEASER POSTER= When a film poster appears before the release of the main marketing campaign. The aim is to use enigmas, for example a tag line or a single image, to catch the interest of the audience.

THEATRICAL POSTER=  Is a poster used to promote and advertise a film. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text.

Examples of teaser posters include:

·         The 2011 film ‘SCRE4M’ consists of a teaser poster, which has a simple tag line ‘NEW DECADE. NEW RULES’ to attract the attention of the audience.

·         The use of a simple image is present, as there is a ghost like face presented at the forefront of the poster, with the eyes and mouth being positioned in a state of shock, to correlate with the title ‘SCRE4M’

·         The simple dark maroon background depicts a sense of danger, blood and death, as it matches the red tagline, and the letter 4, in the title.

·         The release date is positioned below the title, in a simple white font, informing the audience, to the date in which the film is to be released.

·         The teaser poster, for ‘lost girl’ is a simple one, with a red, white and black colour pallet.

·         The title is divided into a black and white colour scheme, with ‘lost’ being presented in white, which connotes innocence and purity, juxtaposed against ‘girl’ which is presented in a red colour, highlighting danger and potential death.

·         The main image consists of a girl, with half of her face being presented, whilst a red strip covers the right side of her face. This allows her entire identity to be concealed, thus correlating to the title of ‘lost’.

·         A small tag line is presented at the bottom of the right-hand side of the poster; ‘COMING THIS MAY 2016’ further confirming the fact that the poster fits the conventions of a teaser poster, whilst also informing the audience.

·         The Black and white colour scheme confirms the genre of mystery, thriller etc.

·         The girl on the poster, appears to be staring directly, into the lens, conforming to the ‘gaze’ whilst also engaging the audience.

·         The use of the simple image of a face, in the mirror and a hand, creates a sense of suspense and apprehension amongst the audience, as it correlates to the title ‘IT FOLLOWS’.

·         The use of the title ‘IT FOLLOWS’ in bold red, suggests that the genre of the film is horror and mystery, as the character appears to be looking into the lens, to see what is following her.

·         The fact that there is a use of red font for the title, suggests there is danger, death and blood possible within the film.

·         There is a simple tag line present at the top of the poster, which reads ‘It doesn’t think. It doesn’t feel. It doesn’t give up’, further emphasising a sense of mystery, to which what is following her.

·         The 80s horror film poster, consists of a faded dark blue background with a pinch of light, suggesting that the film is based in the night time, as a white shadow appears at the top right-hand side of the film poster, in the shape of a moon.

Examples of theatrical posters include:

·         The ‘BEAUTY AND THE BEAST’ poster, holds conventions of a theatrical poster, as there are several images presented, with surrounding text, consisting of the release date (March 17), directors etc.

·         The stars featured in the film, are presented at the top of the film poster, in a gold font, further correlating with the theme of the poster, and the title itself.

·         The main image consists of a princess holding a rose, connoting love and romance, whilst on the right-hand side of her, stands a beast, which connotes danger. The juxtaposition of the traditional ideal princess, and the generic monster, appeals to the audience, engaging them in with the story line.

·         The use of a castle, and characters dressed in fancy dress, highlights a magical and fantasy type theme, which is to run throughout.

·         The colour pallet being blue, hints at the theme of magic, and potential deception.

·         This theatrical poster subverts traditional ones, with the title being placed in quotation marks ‘Fake News’.

·         The two famous actors; Meryl Streep and Tom Hanks, are presented physically on the poster, whilst their names are presented above the title ‘Fake News’.

·         The use of the tag line ‘Please Stop Caring Newspapers’ engages the audience with the film poster, and narrative.

·         The 2018 film poster holds a comedy element, with text at the bottom of the main image reading; ‘Newspapers are at least more reliable than those stories your mom shares on Facebook. What the hell is ‘TruthNewz.net”?!’ This suggests a sense of mocking, which can be interpreted as controversial, whilst appealing to an audience.

·         The title and tag lines are presented in a white colour scheme, thus, reverting the audience’s attention towards the title, as well as to the main image which appears to be in tune.

·         The main image consists of a male writing on a type writer, whilst a female character appears to be looking directly at him, suggesting they are coming up with a story line.

·         There is an equal representation of genders, within the poster, with one male and one female character being presented.

·         The colour pallet of the whole poster, appears to be a faded shadow, creating more depth on the character themselves, as well as directly engaging the audience towards the text being presented.

·         The title of the poster is presented in a black and bold font, whilst reading ‘BLACKSWAN’. The title can potentially be read as ambiguous as it is unclear about who the ‘BLACKSWAN’ is. Whilst it could be interpreted at the woman presented on the poster, it could also refer to what she is attempting to win.

·         The white colour pallet, from the white background and the white washed face, of the woman presented on the screen, connotes a sense of purity and innocence, which is juxtaposed against the tile ‘BLACK’ and the dark lips and eyes. This further hints at the theme of disillusionment, deception and manipulation of one’s situation.

·         The crown and the makeup suggest to the audience, that the woman is a theatrical performer; a ballet, who aims to make her way to the top.

·         On the left-hand side of Natalie Portman’s shoulder reads ‘Vince 2010’ whilst the right-hand side reads ‘Toronto 2010’. This can potentially be referring to places or people, hinting at intertextual references. 

·         The use of makeup and costume, imply to the audience that the ‘BLACKSWAN’ is in fact the woman presented, on the poster, as she gazes into the lens, presenting the ‘gaze’ to which the audience are supposed to respond to.

Comp 1, Section A EXAM PREP: ML

How is media language used to communicate meaning in your given print product?

Print Product: The Independent Newspaper (Sunday 15 April 2018)

Print products, for example newspapers, use technical codes to transmit meaning. These products are constructed by employing a range of techniques designed to appeal to and attract an audience. Within the set product, the layout and design being a broadsheet, contributes to the overall style of the publication, as ‘The Independent newspaper’ is considered to be targeted towards middle aged adults, who are serious minded and highly literate. The use of colour is evident within the images shown on the front page, alongside the graphic/ logo positioned just above the nameplate ‘The Independent’. This creates a consistent style within the newspaper, as the font and text appear to remain in classic black. The Independent is considered sophisticated due to the fact it is a broadsheet, along with the fact that there is a coherent style portrayed throughout. This allows the readers to recognise the type of newspaper it is, and thus expect it to be consistent. The camera shots used help to communicate meaning to the audience. This is shown within the main image presented within the centre of the broadsheet. Theresa May is presented on the front cover, behind two flags (red and white). She is evidently positioned to be perceived as stylish with light weight makeup and a black and white polka dot blazer. The camera shot itself is an eye level shot, engaging the audience/ reader with the story. May is portrayed to be in a position of authority as she appears to be looking out; potentially suggesting she is looking at a crowd, whilst delivering a speech. This positions the audience to be confident within the leader. The lighting of the image is quite subtle, moving the focus away from the actual image and more towards the story itself. The graphic/ logo is presented in red and white, above the nameplate ‘The Independent’ suggesting the logo is a significant part of the newspapers identity, as it allows the audience to connect and consider such a logo to the newspaper immediately. The post production techniques evident within the newspaper are shown in the main image, with the background being faded out, to bring the immediate focus onto the Prime Minister Theresa May. This establishes May to be the most important aspect of the image.

One of the means by which media products convey messages to an audience is through visual codes. Messages are encoded by the creators of the product and audiences decode these messages. The main visual codes within the print product include clothing. What is worn by Theresa May communicates messages about her, to the audience. Theresa May is wearing a polka dot white and black blazer, alongside light weight makeup, positioning May to be perceived as a strong, influential leader, who is able to resonate and relate with the everyday strong career driven woman. The audience is able to understand the role of Theresa May, and thus have high expectations of her. The facial expression of May is able to communicate messages to the reader rapidly. May is shown to be looking within the distant, with a sense of concentration, suggesting the deterministic nature she holds. Furthermore, the use of colour in the images, both within the main image and the subfeatures are of a neutral colour palette, depicting the tone of the newspaper, being a sophisticated, and highly factual one. The audience are therefore positioned to view the newspaper as an intellectual broadsheet. The images selected within the subfeature have been selected to communicate a key message. The subfeatures consist of four stories; Lords Poised (Brexit Defeat), Speaking Out (Weinstein Victims), Damned Right ( Punk Veterans) and Aintree Drama ( Tiger Roll) which are matched up with images. The images presented reflect the stories themselves, with an image of parliament reflecting Lords Poised, whilst an image of three women has been selected to match the speaking out story. An image of a group of five man has been chosen for the Damned right story, whereas an image of men on horses has been picked to depict the Aintree drama. The diverse selection of images allows the newspaper to target different audiences, and tastes, as aspects of politics, music and sport are covered. In doing so, ‘The Independent’ is able to appeal to different tastes of readers, extending their readership. Iconography is evidently depicted in the main image, as the symbol of the United Kingdom is presented in the form of a symbol. As well as its literal meaning of the symbol representing Britain, the symbol is able to be recognised as a sign of unity for the people within Britain. This allows the reader and audience to engage with the story, and read on to find out what May has to say about Brexit, and the relations with other countries. 

Language and mode of address is used within the newspaper to ‘speak’ to an audience. The language used also give clues to who the audience may be and the purpose of the product. The language and the way it is used are encoded to convey meaning. The lexis (the actual words) used in the product, are recognisable to the audience, as the headline reads ‘May hails strike ‘success’ but public denies support’. The referral to ‘strike’ and ‘success’ is recognisable among the audience, as the headline is referring to the situation with hundreds of missiles being fired on Syria. The purpose and effect of this is that the audience who understand the terminology feel part of the members of ‘public’ who ‘denies support’. Language features are evident within the newspaper as the use of hyperbole; ‘success’ shows how the Prime Minister perceives the situation as an accomplishment, in comparison to the ‘public’ the readers, who are shown to have denied the ‘support’. The language features enable to audience to engage with the news story as a result. 

The Independent is shown to hold a formal mode of address. This is due to the fact that ‘The Independent’ is considered a quality newspaper, and therefore adopts a more formal tone with more complex vocabulary and writing styles. An example of complex vocabulary is the use of the phrase ‘impunity’ in the caption; ‘The PM said the international community would not ‘allow chemical weapons to be used with impunity’. This suggests that the target audience are more serious and sophisticated and want more detailed information. The news anchor combined a formal mode of address with a serious code of expression; this encourages the audience to trust what they are saying. 

The narrative conventions in print products consists of the structure and the codes and conventions that are recognisable to audiences. The narrative of a newspaper involves the front page, which tends to be a conventional structure for the particular newspaper. The headline; ‘May hails strike ‘success’ but public denies support’, conveys a detailed and informative narrative in the quality newspaper, and appears to be a more dramatic and enigmatic, in order to attract the attention of the reader. The cover lines used in ‘The Independent’ are used to give the audience clues to what will appear in the newspaper. The cover lines involve; ‘The government faces a Brexit divorce’ , ‘Weinstein victims tell their stories’, ‘The punk veterans on being optimistic’ and ‘Tiger Roll wins a thrilling national’ in order to engage the reader with the paper, and therefore buy it, in order to read on. The images and captions used, allow a narrative to be developed. The caption used alongside the main image; ‘The PM said the international community would not ‘allow chemical weapons to be used with impunity’ allows different interpretation to be made by the audience. The image of Theresa May captures moments in time and the narrative can be deconstructed to establish meaning. The use of language in the newspaper consisting of ‘justify attack’, ‘consequences’ and ‘threatens more action’ convey messages of terror for Britain, as well as uncertainty. The audience are positioned to feel worried, fearful and apprehensive, as countries such as ‘Russia’ and ‘France’ are also mentioned in the context of ‘missiles on Syria’ and threatening of ‘more action’. Enigma codes are a way of holding the interest of the audience. Information is withheld and teased, from the audience, in order for them to access the whole product in order to find the narrative in its entirety. This is evident within the lead stories, as an exclusive from Joe Watts (political editor) about the topic of Syria and launching air strikes is presented on the front page of the broadsheet. The enigmas are also created through headlines ‘May hails strike ‘success’ but public denies support’ alongside the tag lines.

Stuart Hall – Representation

Within ‘The Independent’ Theresa May, the Prime Minister is positioned to subvert the traditional concept of a female, who possesses inequalities of power. There is no stereotyping within the broadsheet, as Theresa May is presented as a strong, influential and determined woman, which allows the readers/ audience to recognise characteristics as they are able to relate to her. Representation within the broadsheet, is the way in which meanings are produced through the signs and codes that are part of media language. Theresa May is presented as somewhat decisive and untrustworthy as a leader, as the headline reveals that the ‘public denies support’ suggesting that the Prime Minister has not been able to communicate or fully engage with the interests or voices of the people. Therefore, the representation of Theresa May can be considered a negative one.

David Gauntlett’s – Autonomy of the audience

The audience are provided with resources to allow them to construct their own identities. Within ‘The Independent’ the audience are able to construct their own opinion and perception on Theresa May, and the way she is leading the country. With the use of the headline, the audience is most likely to perceive Theresa May as a leader who does not listen to the people/ public and is therefore considered a somewhat untrustworthy prime minister. The audience are therefore able to pick and mix different ideas to construct their own individual opinion on the leader. Different audiences/ people may intemperate the positive/ negative aspects differently. 

Steve Neale 

Investigated genre, specifically in relation to film, but his findings can be applied to other media forms.

He states that ‘Genres are instances of repetition and difference’. This means that familiar elements may be presented in an unfamiliar way or completely new elements are introduced.

With the set product, ‘The Independent’ the genre is presented in a familiar way, with the image matching the caption presented underneath; ‘The PM said the international community would not ‘allow chemical weapons to be used with impunity’. Theresa May is presented to be presenting what appears to be a conference, as she stood up in a professional manner whilst looking out into the crowd.

Difference is essential to sustain a genre. To simply repeat the codes and conventions of the form would not appeal to the audience. The difference is evident within the masthead which reads ‘May hails strike ‘success’ but public denies support’. This is seen as a difference, due to the fact that on the surface level, May appears in control of the situation, as she is positioned to be a figure of authority, however, the masthead evidently shows that the ‘public denies support’ showing that there is a difference between the image and masthead.

Tzvetan Todorov

An equilibrium is established in the first bullet point presented in 'The Independent' ; 'Poll on eve of sorties reveals challenge for PM to justify attack' as there is a state in which opposing forces or influences are balanced. In the context of the newspaper, the balance is met between the Prime Minister Theresa May and the public. A disequilibrium is presented in the second bullet point; 'Britain, US and France fire more than 100 missiles on Syria'. The disequilibrium is presented here as there is a lack of stability between the three countries; Britain, US and France. Lastly, as equilibrium is presented in the third bullet point; 'Russia warns of 'consequences' as UK threatens more action' as a sense of opposing forces; Russia and the UK seem to reach a conclusion, whereby they are in a state of balance, as the UK knows there are consequences.

How is media language used to communicate meaning in your given print product?

Print Product: 'ALL THE FINE YOUNG CANNIBALS' Movie poster

TECHNICAL CODES IN PRINT PRODUCTS:

Technical Codes have been used in this print product to transmit meaning.


This has been achieved through a range of techniques, which have been designed to appeal to and attract an audience.


These include:

Layout and design: The product is a movie poster, which features a male and female character. The name of the actor and actress is presented at the top of the poster in a red font, in bold letters, to engage the audience with the people featured on the cover themselves. The title of the movie is positioned at the top right hand side of the poster, in a black bold font. The Production Company is shown at the left hand side of the top of the page, just before the title of the film. this helps the audience identify whom the movie has been produced by. The exhibitors/ distributors are presented just below the title, 'CinemaScope' and 'METROCOLOR' to inform the audience on where the screening of the film can take place. Those Co- Starring in the film are presented below the main image; 'SUSAN KOHNER' , 'GEORGE HAMILTON' and PEARL BAILEY' on a red background, to inform the audience who is featuring, being presented in the film.

Camera Shots: The main image presented on the film poster is of a woman and men, embracing in an act of romance. The male appears to be holding her face, while looking at her lips. He is presented as a more dominant and authoritarian figure, as he has control over her. The woman on the other hand appears to be gazing into his eyes whilst moving forward to embrace a kiss. The image is presented to be of a nature of an establishing shot. The main image is juxtaposed against a smaller image, presenting the female holding what appears to be a cane, in her hand. She is shown to be yelling and pointing the cane towards the male figure. The male figure, on the other hand, is standing in a submissive position with his left arm protecting his torso and a shirt being held in his right hand. He is shown to be defenseless, as he has legs wide open, while he is shown to be taking a step back, to avoid the violence. Thus the image are a complete contrast, suggesting the idea that there are two sides of a relationship.

Lighting/ Colour: The main colour of the background is white. This colour has been selected, for the audience to engage in the images themselves, as well as the text. The text at the top of the page is presented in a red font, whilst the title is shown to be in a black font, whilst the text at the bottom is presented in a white font. The variation of colors, allows the poster to be of a more bright colour palate, thus engaging the audience's attention with the product. The female character is shown to be wearing a red lipstick which is portrayed as a seductive colour. She is presented objectively in the main image, as she is wearing a black skimpy dress. The male on the other hand, is wearing a burgundy colour, showing power and authority. At the bottom of the page, there is a red background, highlighting the co - stars who are part of the movie.

VISUAL CODES:












The way in which the poster conveys messages to an audience.






Ways in which the poster achieves this is through the main visual codes which include:

Clothing: The main image features a male and female who are presented as almost a power couple. They appear to be madly in love. The male is wearing a fitted burgundy suit, with a white shirt. This suggests to the audience, that the male is of a high status, and is potentially successful and wealthy. The female on the other hand, is in a black skimpy dress, which bares her shoulders. She is presented quite seductively, as this clothing is paired with a red lip. In contrast to this, there is an image presented to the right of this; the same female is presented in burgundy trousers, and a brown and yellow blazer, alongside a pink scarf. The woman subverts traditional ideals, within this picture, as she is presented to be a dominant figure. The clothing can be interpreted as quite masculine, highlighting the realities of a relationship. The male on the other hand, is bare on his top half, with a blue shirt gripped within his right hand. He is also wearing burgundy trousers and a belt. The two images show a real contrast, in dress code, highlighting the two different aspects of a relationship/ couple.

Expression: The facial expression shown in the main image, is one of awe. Both the male and female appear to be gazing at one another. The woman's lips are parted whilst the male gazes. There is an aspect of intensity and love, as they appear hooked onto one another. The image presented on the right of this, conveys different emotions and facial expressions. The female is frowning, whilst also appearing to be yelling. She is evidently unhappy, angry and frustrated with the male figure. The male figure on the other hand, appears frightened as he has his eyebrows raised and mouth shut. The woman in the second image is shown to be over powering the male, and thus being the authoritarian figure.

Gestures: The main image appears to reveal the male figure holding the female's face. This gesture suggests that the male and female figures are in love. It is a gesture of affection and intense feeling. The woman appears to have her arms by her side, showing that the male is in control of the situation. She is shown to be a submissive figure. In contrast to this, the image on the right hand side, shows the woman holding a cane in her right hand and pointing it to the direction of the male. It suggests that she is going to take action and potentially hit the male figure with this object. The male has his left arm protecting his torso whilst his right hand is holding a blue shirt. He is presented as the submissive figure in this image.

Images: The image on the left presents the ideal representation of a relationship. The male is well groomed, whilst the woman is presented as pretty and well presented. On display, they appear to be a power couple, who are madly in love with one another. However, the reality is presented by the image on the right, where the fighting and arguing are a real representation of the struggles of being a couple. In private, the couple are struggling in disagreement with one another. These images, present a universal idea on perception and reality. In reality, everything is harder than what one may presume.

LANGUAGE AND MODE OF ADRESS:




The ways in which the poster addresses an audience. This is through the language used.

Lexis (Actual words used):

The title 'ALL THE FINE YOUNG CANNIBALS' contains words that are linked to infatuation and awe. The use of 'FINE' in this context refers to attractiveness and beauty. It indicates to the audience that there are aspects of young romance featured in the film. The reference to 'YOUNG' highlights the genre of the film, depicting romance in a period of youth. The use of 'CANNIBALS' can be interpreted as derogatory, as the literal meaning consists of eating the flesh of other human beings. In the context of the poster, it can be interpreted as the couple tearing each other up emotionally and psychologically. There is a sense of destruction and the breaking down of a relationship.

language Features: Certain styles of language are used within this poster, for a specific purpose. The use of puns in the title; 'ALL THE FINE YOUNG CANNIBALS' , engages the audience with the film poster. This allows the film poster, to grab the attention of consumers, and thus create suspension amongst the audience.

Mode of Address:

Informal Mode of Address - The use of informal mode of address is evident within the poster. There is an informal register adopted, for the audience, which is primarily young. The use of colloquial vocabulary in the title 'Fine' and 'Cannibals' is used to engage the target audience, and make them feel a sense of messages being directed, towards them.

THEORISTS: Steve Neale




'Genres are instances of repetition and difference'. Difference is essential to sustain a genre.
From the poster, it can be interpreted that the genre consists of both romance and drama. The images both present a romanticized couple, whilst also showing difference, through the second image, featuring the same couple fighting. The difference engages the interests of the audience and establishes a sense of genres.




Theorist: Tzvetan Todorov




There is disequilibrium presented in the main image. This is because there is no stability or balance between figures. The male appears more dominant in the main image, whilst the female is presented submissive. Thus, there is no  equilibrium between the two. Similarly, the second image also shows disequilibrium. The woman is presented to hold dominance over the male. She appears to be yelling at him, whilst holding a cane. The male on the other hand, is defensive, using his left arm to protect his torso. Thus there is no balance of power between the two.

Comp 1: VIDEOGAMES

Gaming industry from Teresa Muanza Domingos

PEGI WEBSITE

The Pan-European Game Information (PEGI) age rating system was established to help European parents make informed decisions on buying computer games.

The system is supported by the major console manufacturers, including Sony, Microsoft and Nintendo, as well as by publishers and developers of interactive games throughout Europe.

The age rating system was developed by the Interactive Software Federation of Europe (ISFE).

PEGI AGE RATINGS

Age ratings are systems used to ensure that entertainment content, such as games, but also films, tv shows or mobile apps, is clearly labelled with a minimum age recommendation based on the content they have.

Pegi 3: The content of games given this rating is considered suitable for all age groups. Some violence in a comical context ( e.g. Tom and Jerry cartoon like form) is acceptable.

Example: 

Pegi 7: Any game that would normally be rated at 3 but contains some possibly frightening scenes or sounds may be considered suitable in this category.

Example:

Pegi 12: At a PEGI 12 level more graphic and realistic looking violence towards fantasy characters is allowed. Any violence towards human characters must look unrealistic unless it consists of only minor or trivial injury such as a slap. 

Sexual posturing of the type often seen in music videos is also allowed at this level as is sexual innuendo.

Some bad language is allowed but it can be no more than mild swearing.

Example:

Pegi 16: At the 16 level you can expect to see more mature and realistic violence against human characters. The game may deal heavily with death and injury to humans.

Gory and bloody violence may be included at a PEGI 16 level but only if the game is arcade style.

Sexual activity can be shown but it must not include visible genitals.

Depictions of erotic nudity may feature.

Example:

PEGI 18: The adult classification is applied when the level of violence becomes gross.

Gross violence is classed as horrific methods of bringing death or severe injury, including torture, decapitation or dismemberment.

Violence against vulnerable characters such as children and the elderly may feature, along with motiveless violence against multiple innocents. Sexual violence and threat are also classified at PEGI 18.

The game may include detailed descriptions of criminal techniques, or it may glamorise the use of illegal drugs.

Sexual activity with visible genital organs can be shown. 

Example:

THE CONTENT DESCRIPTORS